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DTSTART;TZID=America/New_York:20090402T120000
DTEND;TZID=America/New_York:20090402T160000
DTSTAMP:20230705T171853Z
CREATED:20090402T205200Z
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UID:10001548-1238673600-1238688000@archive.mediasanctuary.org
SUMMARY:"Upstate Girls\," A Conversation
DESCRIPTION:Teenage girls from throughout the Capital Region share stories about the challenges in their lives\, gathering with representatives of the institutions with which they are entwined – including the legal\, educational\, healthcare\, and penal systems- in response to award winning photojournalist Brenda Ann Kenneally’s compelling work.  \n\n\n\nThe Sanctuary will host a one day workshop to facilitate a dialogue between girls from the Upstate Girls exhibition\, other young women growing up in the Capital Region\, and the many agencies that can influence their efforts to break the cycle of post-industrial marginalization.  \n\n\n\nThe day will begin with a tour of Brenda Ann Kenneally’s award wining photographs and responses to the work. We will continue with a scrapbook workshop facilitated by young women from the neighborhood\, presentations by local change makers and breakout stations. The day will conclude with a final discussion with all participants. \n\n\n\nThis free workshop has been partially funded\, in part\, by the Andy Warhol Foundation for the Visual Arts and the Media Justice Fund of the Funding Exchange. \n\n\n\nAPRIL 2nd SCHEDULE: “Upstate Girls’ Conversation”\n\n\n\n12:00- 12:30 Brenda Ann Kenneally and the Upstate Girls: Exhibition Tour \n\n\n\n12:30 Dr. NetterHolistic Doctor\, Nutritional Consultant\, Reiki Master Healer and Teacher\, Certified Professional Life Coach\, presentation: Nutrition\, how to make easy healthy meals and home healing ideas. \n\n\n\n12:50 Jenn ThompsonNon-traditional education at HVCC\, Power and orgasm (SUNY Albany PHD) \n\n\n\n1:10 Mari Shopsis\, Education Director\, Rensselaer County Historical Society: Historical Scrapbooks. *The Upstate Girls Scrapbooks will be entered into the Rensselaer County Historical Society archive! \n\n\n\n1:30 Stations and Informal Conversations \n\n\n\nSmoothies and Trail Mix Stations: Karissa Centanni: Education Coordinator\, Honest Weight Food Coop: Nutrition and Low-budget Tips \n\n\n\nScrapbook Station:                                                                                                                       Dana Aftab and the Upstate Girls \n\n\n\nPress interviews \n\n\n\n2:10 Blue Carreker\, VP of Public Affairs and Marketing\, and Megan Carol\, Sexual Health Educator\, Upper Hudson Planned Parenthood: Reproductive health information \n\n\n\n2:30 Q Diamond\, Program DirectorCapital District Gay and Lesbian Community Council \n\n\n\n2:50 Lisa Frisch\, Executive Director\, The Legal Project: Free and low cost legal services  \n\n\n\n3:10  Alysa Cole\, Family Health Advocates: AdvocacyWhy Upstate Girls voices are important; how they can be heard \n\n\n\n3:30 Wrap up conversation\, Upstate Girls: Moving Forward
URL:https://archive.mediasanctuary.org/event/upstate-girls-a-conversation/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Gallery Show,Panel Discussion,Workshop
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DTSTART;TZID=America/New_York:20090403T190000
DTEND;TZID=America/New_York:20090403T210000
DTSTAMP:20230705T172811Z
CREATED:20090403T203900Z
LAST-MODIFIED:20230705T172811Z
UID:10000920-1238785200-1238792400@archive.mediasanctuary.org
SUMMARY:"Shoot an Iraqi: Life\, Art and Resistance Under the Gun" with Artist Wafaa Bilal
DESCRIPTION:“Virtual Jihadi” artist returns to Capital Region with new book. Wafaa Bilal braves fear of Rensselaer Polytechnic Institute and Troy censorship to speak again! Iraqi-American digital artist Bilal’s new book Shoot an Iraqi: Life\, Art and Resistance Under the Gun tells the story of the Domestic Tension project that placed him 24/7 on the receiving end of a paintball gun accessible online to a global audience – and what really happened on his infamous visit to Troy last spring.  \n\n\n\nThis presentation is co-sponsored by Women Against War. \n\n\n\n\n\n\n\n\n\nPress Release:\n\n\n\nWafaa Bilal has exhibited his art world wide\, and traveled and lectured extensively to inform audiences of the situation of the Iraqi people\, and the importance of peaceful conflict resolution. \n\n\n\nHe will be speaking about\, and signing copies of\, his new book “Shoot an Iraqi: Life\, Art and Resistance Under the Gun” (City Lights)\, about his experiences as an Iraqi-American living in the United States. \n\n\n\nAccording to a review in Publisher’s Weekly\, “Weaving together accounts of Iraq and America\, art and violence\, performance and reality\, past and present\, this gripping account all but shakes the reader by the lapels.” \n\n\n\nBilal’s 2007 dynamic installation “Domestic Tension” placed him on the receiving end of a paintball gun that was accessible online to a worldwide audience\, 24 hours a day. Newsweek called the project “breathtaking” and the Chicago Tribune called the month-long piece “one of the sharpest works of political art to be seen in a long time\,” and named Bilal its 2007 Artist of the Year. \n\n\n\nBilal has exhibited worldwide including in Baghdad\, the Netherlands\, Thailand and Croatia; as well as at the Museum of Contemporary Photography in Chicago\, the Milwaukee Art Museum and various other US galleries. His residencies have included Montalvo Arts Center in Saratoga\, California; Catwalk in New York; and Rensselaer Polytechnic Institute. \n\n\n\nIn March 2008\, his installation at RPI called “The Night of Bush Capturing: A Virtual Jihadi” drew controversy when a few Campus Republicans demanded its closure.  RPI President Shirley Jackson responded by ordering the art work removed from campus\, leading to accusations of politically-motivated censorship and widespread condemnation. \n\n\n\nThe exhibit was offered sanctuary off-campus at The Sanctuary for Independent Media\, a community-based media center in north Troy. \n\n\n\nRensselaer County Republican Majority Leader Bob Mirch\, who was at the time employed by former State Senate Republican Majority Leader Joseph Bruno\, led a protest against the exhibit surrounded by his employees from the City of Troy’s Department of Public Works.  The next day\, City of Troy code enforcement officials under his supervision ordered the building closed. \n\n\n\nThe resulting public outcry\, which included an angry protest outside Troy City Hall\, resulted in donations of tens of thousands of dollars to support The Sanctuary for Independent Media and an outpouring of volunteers. \n\n\n\nThe Sanctuary for Independent Media–whose programming was hosted in exile by supportive local churches\, small businesses and other organizations–re-opened a month later\, in April 2008. \n\n\n\nThe Capital Region branch of the New York Civil Liberties Union has filed a notice of claim against the City of Troy in preparation for a possible lawsuit. \n\n\n\nIn “The Night of Bush Capturing: A Virtual Jihadi\,” Bilal casts himself as a suicide-bomber in the game.  After learning of the real-life death of his brother in the war\, he is recruited by Al Qaeda to join the hunt for Bush. \n\n\n\n“Virtual Jihadi” is meant to bring attention to the vulnerability of Iraqi civilians to the travesties of the current war and racist generalizations and stereotypes as exhibited in games such as “Quest for Saddam” along with vulnerability to recruitment by violent groups like Al Qaeda because of the U.S.’s failed strategy in securing Iraq. The work also aims to shed light on groups that traffic in crass and hateful stereotypes of Arab culture with games like Quest for Saddam and other media. \n\n\n\nAccording to Bilal\, “In these difficult times\, when we are at war with another nation\, it is our duty as artists and citizens to improvise strategies of engagement for dialogue. This platform is a piece of fiction that uses the video game format to create alternative narratives and perspectives.” \n\n\n\n“Because we inhabit a comfort zone far from the trauma of conflict zone\, we Americans have become desensitized to the violence of war. We are disconnected\, disengaged while many others do the suffering. The game holds up a mirror that reveals our own propensities for violence\, racism and propaganda. We can close our eyes\, our ears and deny that it exists\, but the issue won’t go away.” \n\n\n\nWafaa Bilal was born in Iraq on June 10\, 1966. Because a member of his family had been accused of disloyalty to his country\, Wafaa was denied the opportunity to pursue his dream of being an artist. Instead\, he was to attend college to major in geography. While in college\, he continued to pursue his art and was arrested and tortured for his political art work against Sadaam Hussein. \n\n\n\nShortly after the Gulf War\, Wafaa was inspired by President Bush’s message to the Iraqi citizens that if they attempted to overthrow Sadaam\, the U.S. would stand behind them. He became involved in organizing opposition to the government and was scheduled for arrest and execution when he escaped into Kuwait. There he was accused of being a spy and was close to being shot when his student ID convinced them he told the truth. \n\n\n\nWafaa was sent to a refugee camp on the Kuwaiti border. In the camp\, people laughed when rather than accept life in a tent he began forming brick that he dried in the sun and fashioned into a home. The adobe served a practical purpose\, for it provided relative safety from abduction by Kuwaiti soldiers who sneaked into tents in the middle of the night to kidnap young people for sale to Iraqi soldiers who tortured\, raped and executed them or the Turkish soldiers themselves would rape and kill them. \n\n\n\nFor two years\, Wafaa lived in limbo not knowing if each day would be his last. Still Wafaa worked to improve his art\, cleaning toilets in the camp to earn the money for art supplies\, buying supplies for children for art therapy to help them to work through the horrors witnessed. His experiences developed within him an abhorrence of violence and oppression and strengthened his inner resolve. \n\n\n\nIn 1992\, Wafaa came to the United States and took classes to learn English. Then\, he began art studies at the University of New Mexico where he excelled. His art is of a political nature that speaks to oppression of the human spirit\, including that of women who are bound by the rules of culture. He has won many awards for his art as well as a scholarship to the Chicago Institute of Art for post graduate study. He is now teaching at New York University in New York City.
URL:https://archive.mediasanctuary.org/event/shoot-an-iraqi-life-art-and-resistance-under-the-gun-with-author-wafaa-bilal/
CATEGORIES:Speaker
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DTSTART;TZID=America/New_York:20090410T190000
DTEND;TZID=America/New_York:20090410T210000
DTSTAMP:20230705T173341Z
CREATED:20090410T202500Z
LAST-MODIFIED:20230705T173341Z
UID:10001549-1239390000-1239397200@archive.mediasanctuary.org
SUMMARY:The Autobiography of a Black Panther with Robert Hillary King
DESCRIPTION:Robert Hillary King became a member of the Black Panther Party while in prison for a crime he did not commit\, where he remained in solitary confinement for 29 years as one of the Angola 3. He wrote From the Bottom of the Heap: The Autobiography of Black Panther: Robert Hillary King (2008) after the state admitted his innocence and set him free.  \n\n\n\nCo-sponsored by the Albany Political Prisoner Support Coalition. \n\n\n\nPress Release\n\n\n\nIn 1970\, a jury convicted Robert Hillary King of a crime he did not commit and sentenced him to 35 years in prison. He became a member of the Black Panther Party while in Angola State Penitentiary\, successfully organizing prisoners to improve conditions. In return\, prison authorities beat him\, starved him\, and gave him life without parole after framing him for a second crime. He was thrown into solitary confinement\, where he remained in a six by nine foot cell for 29 years as one of the Angola 3. In 2001\, the state grudgingly acknowledged his innocence and set him free. This is his story. \n\n\n\nIn his recently published autobiography\, “From the Bottom of the Heap: The Autobiography of Black Panther Robert Hillary King\,” King begins his story at the beginning:  born black\, born poor\, born in Louisiana in 1942\, King journeyed to Chicago as a hobo at the age of 15. He married and had a child\, and briefly pursued a semi-pro boxing career to help provide for his family. Just a teenager when he entered the Louisiana penal system for the first time\, King tells of his attempts to break out of this system\, and his persistent pursuit of justice where there is none. \n\n\n\nYet this remains a story of inspiration and courage\, and the triumph of the human spirit. The conditions in Angola almost defy description\, yet King never gave up his humanity\, or the work towards justice for all prisoners that he continues to do today. “From the Bottom of the Heap\,” so simply and humbly told\, strips bare the economic and social injustices inherent in our society\, while continuing to be a powerful literary testimony to our own strength and capacity to overcome. \n\n\n\nReviews: \n\n\n\n“For a person to go through 29 years in one of the most brutal prisons in America and still maintain his sanity and humanity\, that’s what makes people want to listen to Robert.”–Malik Rahim Co-Founder of Common Ground Collective \n\n\n\n“As a brush with death sharpens life\, a lifetime of confinement can broaden the vision…”–Austin American Statesman \n\n\n\n“The case of the Angola Three has the potential of laying bare\, exposing the shortcomings\, in the entire US system.”– Kgalema Motlante\, a leader of the African National Congress in South Africa \n\n\n\n“Friendships are forged in strange places. My friendship with Robert King and the other two Angola 3 men Herman Wallace and  Albert Woodfox is based on respect. These men\, as Robert reveals in this stunning account of his life\, have fought tirelessly to redress injustice\, not only for themselves\, but for others. This is a battle Robert is determined to win and we are determined to help him.”–Gordon Roddick\,  Co-founder of The Body Shop and activist \n\n\n\n“When there is a train wreck\, there is a public inquiry\, to try to avoid it recurring. Robert King’s conviction was a train wreck\, and this book is perhaps the only way the world will get to understand why. There are more than 3\,000 people serving life without the possibility of parole in Angola today\, some as young as 14 when they were sent there\, and many of them innocent but without the lawyer to prove it. We owe it to them\, and others in a similar plight around the world\, to read this book.”–Clive Stafford Smith\, Director\, Reprieve
URL:https://archive.mediasanctuary.org/event/the-autobiography-of-a-black-panther-with-robert-hillary-king/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Speaker
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DTSTART;TZID=America/New_York:20090424T190000
DTEND;TZID=America/New_York:20090424T210000
DTSTAMP:20230705T173719Z
CREATED:20090424T202000Z
LAST-MODIFIED:20230705T173719Z
UID:10001546-1240599600-1240606800@archive.mediasanctuary.org
SUMMARY:"From the Ground Up" with Filmmaker Su Friedrich
DESCRIPTION:Wake up and smell the global economy with acclaimed filmmaker Su Friedrich as she takes you from Guatemala to South Carolina to New York City to see how her morning cup of coffee has passed through the hands\, and lives of countless people. With few words\, From the Ground Up shows how an ordinary cup of coffee occupies center stage in the world economy.  \n\n\n\nCo-sponsored by the Honest Weight Food Co-op. \n\n\n\nTraveling with the filmmaker of “From the Ground Up” from Guatemala to South Carolina to New York City and seeing each phase of coffee production unfold—the growing\, picking\, processing\, distribution\, brewing and selling—one comes to understand that most products we use have passed through the hands\, and lives\, of countless people in numerous countries. \n\n\n\nAs the world’s second most traded commodity after oil\, it’s all about the coffee\, and about everything else we consume\, consume\, consume… \n\n\n\n“With deep intelligence and a very light touch\, Friedrich invites you to wake up and smell the global economy.” —Stuart Klawans \n\n\n\n“Hands\, over and over again. The fast hands of women\, children’s hands\, calloused workers’ hands\, the groomed hands of gentlemen\, the manicured hands of ladies: coffee junkies have no idea how many hands the beans pass through\, and how much manual labor goes into that one cup which is supposed to wake you up and bring you pleasure\, or which you carelessly spill… Friedrich seems to allow her camera to simply observe\, even while she juxtaposes the under-age coffee pickers and their hundred-pound baskets with the plantation owner’s thoroughbred horse\, or counterposes the many bare-footed little children with the large mansion. But her mostly unimpeded view lets the spectator think independently.” —Magdalena Miedl\, BIORAMA \n\n\n\nSu Friedrich has produced and directed eighteen 16mm films and digital videos\, including From the Ground Up (2007)\, Seeing Red (2005)\, The Head of a Pin (2004)\, The Odds of Recovery (2002)\, Hide and Seek (1996)\, Rules of the Road (1993)\, First Comes Love (1991)\, Sink or Swim (1990)\, Damned If You Don’t (1987)\, The Ties That Bind (1984)\, Gently Down the Stream (1981)\, and Cool Hands\, Warm Heart (1979). With the exception of Hide and Seek\, Friedrich is the writer\, director\, cinematographer\, sound recordist and editor of all her films. \n\n\n\nFriedrich’s films have won many awards\, including BEST NARRATIVE FILM AWARD at the Athens International Film Festival\, OUTSTANDING DOCUMENTARY FEATURE at Outfest in Los Angeles\, SPECIAL JURY AWARD at the New York Gay & Lesbian Film Festival\, GRAND PRIX at the Melbourne Film Festival\, the GOLDEN GATE AWARD at the San Francisco Film Festival and BEST EXPERIMENTAL NARRATIVE AWARD at the Atlanta Film Festival. Her work is widely screened in the United States\, Canada and Europe and has been the subject of retrospectives at the Museum of Modern Art\, the Whitney Museum of American Art\, the Rotterdam International Film Festival\, The London Lesbian and Gay Film Festival\, The Stadtkino in Vienna\, the Pacific Cinematheque in Vancouver\, the National Film Theater in London\, the Sheldon Memorial Art Gallery in Lincoln\, Nebraska\, the Buenos Aires Festival of Independent Cinema\, the New York Gay and Lesbian Film Festival\, the First Tokyo Lesbian and Gay Film Festival\, the Cork Film Festival in Ireland\, the Wellington Film Festival in New Zealand\, The Bios Art Center in Athens\, Greece\, and the Anthology Film Archives in New York. \n\n\n\nFriedrich is the recipient of the Alpert Award in the Arts (1996)\, an Independent Television Service production grant (1994)\, an NEA Fellowship (1994)\, a Rockefeller Foundation Fellowship (1990)\, a Guggenheim Foundation Fellowship (1989)\, a DAAD grant as artist-in-residence in Berlin (1984)\, as well as multiple grants from the New York State Council on the Arts\, the New York Foundation for the Arts and the Jerome Foundation \n\n\n\nHer work is in the collection of the Museum of Modern Art\, the Art Institute of Chicago\, the Royal Film Archive of Belgium\, the Centre Pompidou in Paris\, the National Library of Australia\, as well as many university libraries. The films are distributed by The Museum of Modern Art\, Outcast Films\, Canyon Cinema\, The Canadian Filmmaker’s Distribution Center\, Light Cone in Paris and the Freunde der Deutschen Kinemathek in Berlin. \n\n\n\nThe films have been reviewed in numerous publications\, including Variety\, Premiere\, The Village Voice\, Artforum\, The New York Times\, The Nation\, Film Quarterly\, The Millennium Film Journal\, Sight and Sound\, Flash Art\, Cineaste\, The Independent\, Heresies Art Journal\, Afterimage\, and The L.A. Weekly. Essays on her work as well as excerpts from her scripts have appeared in numerous books\, including Women’s Experimental Cinema (2007)\, 501 Movie Directors (2007)\, Contemporary American Independent Film: From the Margins to the Mainstream (2005)\,Visionary Film: The American Avant-Garde\, 1943-2000 (2002)\, Left In the Dark (2002)\,  The Wedding Complex: Forms of Belonging in Modern American Culture (2002)\, Girl Director: A How-To Guide (2001)\, Collecting Visible Evidence (1999)\, Experimental Ethnography (1999)\, The New American Cinema (1998)\, Play It Again\, Sam (1998)\, Film Fatales (1998)\, Cinematernity (1996)\,  Screen Writings (1994)\, Women’s Films (1994)\, Queer Looks (1993)\, Avant-Garde Film: Motion Studies (1993)\, Vampires and Violets (1992)\, and Critical Cinema: Volume Two (1992). \n\n\n\nHer DVD collection is distributed by Outcast Films.
URL:https://archive.mediasanctuary.org/event/from-the-ground-up-with-filmmaker-su-friedrich/
LOCATION:The Sanctuary\, 3361 6th Ave\, Troy\, 12180\, United States
CATEGORIES:Screening,Speaker
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